You're right. I think you need some emergency color theory. The way you handled the trees looks nice but it might be better if you stuck to blues for them. The piece needs to be unified by something. You've got like four different sections of color and they don't make sense together. Some of it is really dull and greyed out. Some of it is really warm and saturated. Some is really acidy and barftastic. Try looking at some paintings/illustrations/photos. Start with something neutral and build up from it working the piece as a whole and not picking at parts here and there. Also your composition is really empty in the deck area. I have faith you can fix this up.
3 comments:
You're right. I think you need some emergency color theory. The way you handled the trees looks nice but it might be better if you stuck to blues for them. The piece needs to be unified by something. You've got like four different sections of color and they don't make sense together. Some of it is really dull and greyed out. Some of it is really warm and saturated. Some is really acidy and barftastic. Try looking at some paintings/illustrations/photos. Start with something neutral and build up from it working the piece as a whole and not picking at parts here and there. Also your composition is really empty in the deck area. I have faith you can fix this up.
----->d.
Thank you Darcy, this'll help out a lot.
Oh wait, that was Dan...Sorry
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